Opening Times
Box Office

This week our Box Office phone lines are open 12noon – 5pm Tuesday to Friday. The building itself will remain closed until further notice.

☎️ 0191 443 4661
📧 [email protected]

Opening Times:
Box Office

This week our Box Office phone lines are open 12noon – 5pm Tuesday to Friday. The building itself will remain closed until further notice.

☎️ 0191 443 4661
📧 [email protected]

 →  Read, Watch & Listen  →  The World How Wide: a choral reimagining of Vaughan Williams’ Fantasia on a Theme by Thomas Tallis

The World How Wide: a choral reimagining of Vaughan Williams’ Fantasia on a Theme by Thomas Tallis

15 minutes

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Watch Now!

The premiere of The World How Wide took place on Friday 11 December, preceded by a pre-recorded pre-concert talk. Both films will remain online to watch on demand. We hope you enjoy them.

Please also have a read about our creation process below, and share your thoughts with us on social media. #WorldHowWide

Pre-concert talk

Final Film

Introduction

We’re delighted to share with you a very special digital project that Chorus of Royal Northern Sinfonia has been working on for the past few months – a newly commissioned choral arrangement of Ralph Vaughan Williams’ Fantasia on a Theme by Thomas Tallis, using the text of the original hymn – Why fum’th in sight – on which the fantasia is based.

Our Chorus members busily recorded their individual parts at home over lockdown, meeting regularly online to hone the details of their performance, as they worked through the material section by section. Once finished, the recordings were pieced together, recreating the towering chord structures of Vaughan Williams’ original. The Chorus were joined for this project by members of Sage Gateshead’s youth choir Quay Voices, a String Quartet from Royal Northern Sinfonia and a massed online chorus of community voices.

We are excited to have worked with North East video design company Novak, who we commissioned to create an accompanying film for the finished recording. We documented the creation process and shared some glimpses from behind the scenes below.

To start, why not remind yourself of the original?

Royal Northern Sinfonia string quartet

Rehearsing and recording at Sage Gateshead, Thursday 5 November

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The World How Wide quartet recordings

In November a string quartet from Royal Northern Sinfonia (Tristan, Gaelle-Anne, Mike and Dan) got together at Sage Gateshead to rehearse and record their parts for our digital commission, The World How Wide. These parts were later combined with all of the recordings made by members of the chorus at home, to create the finished piece.

About the project, Tristan said:

“It’s fantastic to be a part of this pioneering project. It feels as if we’re going to finish up with a really unique film presenting this beautiful piece of music in a completely innovative way. I can’t wait to see and hear it when it’s all put together and it’s been wonderful to be able to collaborate with Chorus of Royal Northern Sinfonia, particularly at such a challenging time for all of us. The solo parts are lovely to play with such sweeping sustained and expressive phrases and the sound world is rewardingly immersive and resonant. We have played large sections to click track and synthesised sounds which will be lined up with the chorus recordings, but crucially, more intimate sections have been free, so it really feels as if we have found a way to preserve that sense of creativity and spontaneity in the performance.”

Joanna's Video Diary

Phase 1

Phase 3

Phase 4

Joanna Finlay is a second soprano in Chorus of Royal Northern Sinfonia. She recorded short video diaries to document the creation process. Here are her videos from Phase 1, Phase 3, and Phase 4 of the project.

Online Support Sessions

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Throughout lockdown, Chorus of Royal Northern Sinfonia met together online to talk through each stage of the project. They worked with Director Timothy Burke to hone the details of their performance before recording their parts individually. It was a great way to keep in touch whilst doing ‘choir at home’.

If you’re a singer interested in joining Chorus of Royal Northern Sinfonia in future, please email [email protected] – we’d love to hear from you.

Tim's Introduction

Timothy Burke is the Chorus Director for Chorus of Royal Northern Sinfonia. He is also the arranger of our special choral version of Vaughan Williams’ Tallis Fantasia. In this video he talks a little about the creative process and how the project worked. Our Chorus had a wonderful time piecing together this work in their homes throughout this lockdown, and we hope you enjoy the finished product as much!

Project Partner - NOVAK

We were delighted to work with North East creative studio NOVAK to produce a specially commissioned film to accompany our choral arrangement of the Fantasia.

While our Chorus were busily recording their parts at home, NOVAK were working across Northumberland to capture footage of the majestic and ever-changing landscape that pairs so beautifully with Vaughan Williams’ music.

Renowned for their work on Lumiere, Leeds Light Night, and Singapore Night Festival, NOVAK specialise in video design and immersive experience, and we can’t wait to see the final product.

Here’s a little clip of their existing work, and a photograph of them filming in Northumberland. You can find out more about them here.

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Chorus of RNS Video Diaries

Throughout lockdown, as well as recording their parts for The World How Wide, we asked Chorus of RNS to produce short video diaries. These videos gave us an insight into what the project was like for them: the challenges they faced, what they enjoyed, and what being part of something like this meant to them.

We’ve uploaded a selection of them here. We particularly love what Graeme (left) has to say: “I usually sing Bass 1, but for this project I’ve also recorded parts for Bass 4, 5, and later today I’ll be recording a track for Bass 7. Other sections of the choir are doing the same, and with so many parts across all the different voices of the choir, I think the soundscape promises to be something rather special. Personally I think that only Vaughan Williams could have created the source material for a project like this.”

It was, at times, daunting for the choir to record their own voices in their own homes – perhaps more so than performing to a full audience – particularly as they did not know how the final product was going to sound. We’re sure you’ll agree though, they’ve done spectacularly!

 

Jenny Moore

Katie Hodgson

Deirdre Wilkie

Jo Bruce

Glenn Davis

Laura Lowes

Soloist Profile

Katie sings Soprano in Chorus of Royal Northern Sinfonia and she is the soloist in The World How Wide. She chatted to us about her experience of the project, working on the solo, and her time in the Chorus.

How did you get started with singing?
I’ve been singing since I was 6. I joined a children’s choir in the High Peak (Kinder Children’s Choirs of the High Peak) which didn’t audition any of the children. We learned songs by ear, and I loved it! I sang in the choir from the age of 6 to 18.

How does it feel to have the solo line?
Great – I’m very grateful to have it, the music is lovely to sing!

Have you sung solos before?
I’ve sang lots of solos before, in choirs and for local choral societies, but none where I’ve felt so out of practice! Lockdown has been hard, and I’ve really missed rehearsals for Sinfonia, as they keep me singing weekly.

How have you prepared the part?
To prepare for the part, I’ve used the helpful click track and Youtube video that Tim prepared. The violin part has been recorded and that’s on there too, which has allowed me to tune with that beautiful line!

How long have you been in the Chorus?
I’ve been in the chorus for 15 years, since I was a bright-eyed fresher who moved up to Newcastle to study maths at university.

What are your favourite memories of the Chorus?
I have lots of favourite memories! Socially, I have met friends in the chorus who I count as the best. Going to Hong Kong on tour was pretty epic.

Music wise, there’s so many, especially as I’d never heard Handel before I joined the Chorus! I’ve got vivid memories, from my first concert with them of Brahms’ Requiem (I couldn’t believe the score was so thick) to being the choir in Home Alone, to singing on my own in my dining room into my phone with this World How Wide project.

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Katie Hodgson, Soprano Soloist

Quay Voices

We’re delighted that Quay Voices, Sage Gateshead’s mixed voice youth choir, joined with Chorus of Royal Northern Sinfonia to record vocal parts for The World How Wide.

Here’s what Clare, one of our young singers, had to say:

Hi! My name’s Clare, I’m part of Quay Voices, and we are joining Chorus of Royal Northern Sinfonia for a special choral arrangement of Fantasia on a Theme by Thomas Tallis by Vaughan Williams.

I’m about to record my final phase – phase 5. We’re all recording our parts remotely at home, and they’re all going to get put together, and I’m really really looking forward to seeing the results – and I hope you are too!

Thank you so much!

Composer Profile

RVW Cat

Ralph Vaughan Williams (1872-1958) – pronounced ‘Rafe’ at his regular insistence – was quite an extraordinary man. He was the Great-Nephew of one Charles Darwin, was described by his wife as a ‘cheerful agnostic’, refused a knighthood, and he had a cat named Zebedee (though the one pictured is called Foxy).

But it’s his musical life we are most interested in, ahead of the release of The World How Wide. As a composer, Vaughan Williams was influenced by folk and Tudor music, and moved away from the established Germanic style of his time. As a conductor, he had an extreme insistence on perfection, even pausing performances to tell the musicians they could do better.

However, far from being an elitist, he believed music should be accessible for all and often wrote pieces for amateurs and students – which is why we are thrilled to be working with so many community choirs for this project. It is documented that if local musicians could not read music, he would go through pieces page by page, and he made a point of visiting amateur choirs to support their rehearsals.

He believed music was “the only means of artistic expression which is natural to everybody. Music is above all things the art of the common man…the art of the humble…Music cannot be treated like cigars or wine, as a mere commodity. It has its spiritual value as well. It shares in preserving the identity of soul of the individual and of the nation.”

Vaughan Williams composed the Fantasia in 1910 for the esteemed Three Choirs Festival – and he conducted the premiere. The score specifies orchestras should be placed apart from each other to emphasise echoes – perfect for individual lockdown recordings! Largely acclaimed by audience and critics alike, of the piece Vaughan Williams said “I feel that I am perhaps beginning to emerge from the fogs at last” and, when writing to the South Shields Orchestral Union, “This, I think is the best thing I have done.”

Project Statistics

V1 World how wide inforgraphic

Whilst NOVAK and Floating Earth (our sound editors) were busy knitting together all the recordings and footage, we though we would take a look back at the project and gather some facts and figures. It’s amazing how much it all adds up – for one 15-minute performance!

We’ve been delighted to work on this special project with so many singers, across numerous community choirs, and we love that NOVAK even managed to accidentally film a dog on a paddle board!

Community Chorus

We’re delighted that singers from 10 local choirs joined Chorus of Royal Northern Sinfonia to form the World How Wide Community Chorus.

Singers from Streetwise Opera, Low Fell Community Choir, Low Fell Singers, Prudhoe Community Choir, Felling Male Voice Choir, Inspiration Choir, Ryton Choral Society, Prudhoe Gleemen Male Voice Choir, Collective Voices, and Equal Arts Gateshead Care Home Choir have all recorded videos and were included in the final film. Thank you all!

Vaughan Williams believed strongly in the importance of choral singing in communities, so we are thrilled to have involved so many voices in this project.

Community Choirs

Project Partner - Floating Earth

We are delighted to have worked with Floating Earth on #worldhowwide.

Floating Earth is a multi-award winning recording and production company based in West London. They edited together the individual recordings from our singers (all 650 of them!) into the final product you have heard.

They have previously worked with the BBC, Channel 4, Gramophone and Universal, and on projects such as The Brit Awards, Children in Need, and Eric Whitacre’s Virtual Choir.

Find out more about Floating Earth here.

Watch Mike’s video (right) to find out more about the sound editing process.

Thank You!

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Thank you for watching The World How Wide and for reading about the creation process. We hope you have enjoyed the performance and finding out a little more about the work behind the scenes.

If you’re yet to watch the performance or the pre-concert talk, please do head back to the top of this page to enjoy them. Both films will remain online to watch on demand, for free.

If you’re a singer interested in joining Chorus of Royal Northern Sinfonia, please email [email protected] for more information – we would love to hear from you. You can find out more about our Chorus on their webpage here.

Please do share The World How Wide on social media and let us know your thoughts! #WorldHowWide